Deep red colors emerge, one after the other, rich shades from deep reds to orange hues, mixed with gray and violet tints, lacking definition, vaporous, alternating with images of water, phantasmagoric fog and off-white or golden moons; sceneries that emerge from the soul, recurring sometimes to geometrical shapes to arrange themselves: separated vertically and moving upwards, unstoppable in their quest for personal introspection.

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- It is perhaps in the spiritual where we find the roots of the material; sensorial roots and human roots…

Perchance is this what art is about?

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Reminiscence and insinuation, more than mere representation, make themselves continuous in Monsterrat Clausells works (Barcelona 1960). Sharing these same standards, Amparo Gámir now offers 23 masterpieces of the artist that assert her most recent experience, a lesson of training and learning, in exotic Nepal.

 

All of her works are marked with the breath of a dream, the capacity to envision further, something that is definitely palpable in Bhakatapur, the city that inspires her, the city that merges the individual with the vastness of the communal, the eternal city that turns time into serene stillness.

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